FIGS exists as the prologue of an ancient mythology coded into the context of electronic mediums. Establishing herself as a multi-dimensional artist, Huxley Anne makes her directorial debut with "Fury" — the first installment of a surrealist narrative explored through film. The release examines the rapid-fire ideological battles of technology, toys with the duality of "the rendered woman," and ultimately places identity at the core of creation. As she states, "in the void of the uncanny valley, we have an opportunity to reclaim our own nature." FIGS is a spell, a new transfiguration, a genre-defying trip into the inner workings of the mind of an avant garde auteur.